Posts Tagged ‘Beowulf’

Retreat to Go Forward

December 28th, 2009

I finished Sword, Staff, and Chalice on Yuletide Eve, which was a nice present. Starting with a plot that was fairly solid but had some gray areas in it, I wrote 120,000 words in under two months, which is a good pace for me. The first draft has been described as a ‘page turner’ by its intrepid first reader (I haven’t even re-read the book myself yet), which is something no one said about Beowulf Stormbringer.

When I was midway through book one, Scott Sigler gave me some good advice, namely that my first book would suck. I resisted that wisdom at the time, but after learning how to do it properly, I can now say that story-wise book one is too internal, linear, and simple. Things come too easily to young Beowulf, and as a result, he has more conflict in his own mind than he does with the world. Not ideal for sword and sorcery… My task right now is to discover my events that complicate and enrich his path toward discovering his own strength and the sword that is a two-edged, um, sword for him.

It is for this reason many people wiser than I have argued that starting your novel-writing career with a series is idiotic—you have to sell the series on the basis of the first book, and guess which one is likely the weakest? However, even if I had gotten that sage advice before starting, I might still have started the way I did. It’s been a wonderful learning experience, and I believe I can finish a strong three book series. Writing a standalone second book might get me to market faster, but speed is not my goal. I don’t want to be published until I’m have something that is fun, satisfying, and just a little edifying, I am ready to maintain a pace of two books a year, and I already have one or two sequels or new projects nearly complete to follow it up.

At the same time as I work on the plot to book one, I want to push ahead with book three (just starting to flesh out the plot now), and I have at least three other projects I am itching to start. That means more living very simply (which as long as I have a roof over my head and enough to eat is actually fine with me), working hard, and writing 3,000 words per day when I’m writing rather than plotting, researching, or editing. All of which I’m really looking forward to.

Today’s Beowulf Snippet

August 13th, 2009

Here’s an excerpt from what I wrote yesterday for Beowulf Stormcrow, the book I’m trying to finish. I like throwing in the little ‘extra’ stories in the narrative, and this is one of ‘em:

***

They talked of small matters after that: the court fashions of Encaras, how horses in Nallen were being purchased and taken south, that the spring silt from the Sennel had been rich and the growing season was plentiful this summer. Eventually the talk slowed as the sky grew dark and the stars glistened high above the table’s flickering candle lanterns. Beowulf, who had only drunk watered wine, grew restless. He had tried to take an interest in the conversation about the Five Cities and had succeeded for a while. But that time had passed and he hungered for more exciting discussion. Where is the singing or saga-telling? Should I play my pipe to liven up the evening?

“Pardon, Born,” he said. “But is this how feasts end in your lands—with no music or stories shared?”

Born roused himself from the contemplation of the night sky. Charlyss leaned her head against his shoulder and he sought not to disturb her comfort. “Do you have skald talents you wish to share with your southern neighbors?”

“I am no skald, but I have some skill with the pipe. Perhaps I could relate a short saga if no one minds.”

“By all means,” said Jaspir. “Enliven our reverie with a bloodthirsty tale from the cold north.”

“They are not all bloody tales,” Beowulf said as he stood up to fetch his goat horn pipe.

When he returned he started the tale he had selected while he walked back and forth. It was the saga of the warrior woman Astrid who had left her husband Wardfris at home while she sailed her battle ship to sea in search of adventure. It was a simple tale, one that might be chanted and sung to introduce a greater saga such as the one of Od’s creation of the world or the ancient hero Olin (namesake to the current Skarlish ruler) who slew three giants in succession on a single day to win a prize of glittering gold from the dragon Ermsiggil whose lashing tail set the waves of the world in motion.

Astrid sailed far and wide, fighting all and overcoming every opponent she faced. Her ship grew heavy with treasure and she sang and danced with her crew, faces flushed with the glow of mead as they savored their triumphs. But when at last she returned home she found that her love had been killed in a raid on her village. Heartbroken, she took her ship into dark waters to seek Wardfris and sails there still, searching for her lost love. You can hear her cry in the sound of the waves crashing against the shore: WARD frissssss, WARD frissssss.

That was the simple story Beowulf had learned as a child and he knew the words of the four stanzas nearly by heart. The rest he could improvise. He was not reckoned a great singer among the Skarlish by any stretch, but his modest skills were amplified by the quiet night air and the absence of other diversions. He liked the lines about fighting best but he could feel the sorrow of Astrid as she searched the dark seas for her sweetheart.

He played the melody on his pipe then chanted the first stanza before singing the refrain:

I would search the dark seas

For my love, Wardfris

I would die a thousand deaths

In return for one lost kiss

The sea calls Wardfris

The sea calls Wardfris

By the second refrain, Charlyss joined in, and then Born and Jaspir too. Beowulf’s own rough voice was complemented by Charlyss’s sweet alto. Together they drew out Wardfrisss, deep and crashing on the first syllable and long and hissing on the second until it sounded like the sea itself sang beyond the trees that lined the clearing in front of Born’s house.

When Beowulf finished, the others applauded, and Born with them—but Beowulf noted that his eyes measured him carefully. There was more to Born than he realized at first. The man could be calm, yes, but he could also speak with power. And there was something in his gaze that suggested he saw further than other men and women.

He mentioned this to Thirl as they prepared to sleep. “How else could a man direct the activities of an insurgent force from a remote location such as this?” Thirl said. “And with no natural authority to boot—no generalship, government office, nothing. If Born could not lead we would not be gathered at his farm.”

“I reckon you’re right.”

Heartbroken,